affective
affinities
33bienal/sp
7 sep - 9 dec, 2018
free admission
Waltercio Caldas, whose production has always drawn on history of art, proposes an exhibition where artworks from different artists are confronted with his own works.
Visitors of the #33bienal comment on their own affective affinities and impressions on the exhibition. Until December 9, at Ibirapuera Park.
For her exhibition project, Wura-Natasha Ogunji invited artists to create — like herself — new artworks in a collaborative and horizontal curatorial project. Their works are impacted by their individual histories and by the complex relationship they have with their lands, nations and territories.
Antonio Ballester Moreno approaches his curatorial project for the 33rd Bienal de São Paulo as a way of contextualising a universe based in the close relationship between biology and culture, with references to the history of abstraction and its interplay with nature, pedagogy and spirituality.
For her exhibition, Claudia Fontes draws on a metanarrative: a fictional book of the same title whose content is unknown, except for some fragments and a few material remains.
For her exhibition, Stargazer II, Mamma Andersson brings together a group of artists that have been inspiring and fuelling her own production as a painter. The participants share a common interest in expressive figuration and the human body.
Drawing on his interests in issues such as repetition, narrative and translation, Alejandro Cesarco realizes a curatorship of artworks from artists that share his conceptual and aesthetic concerns.
Sofia Borges’ curatorial project explores a collage of mythological references based on philosophical interpretations of Greek tragedy.
Waltercio Caldas, whose production has always drawn on history of art, proposes an exhibition where artworks from different artists are confronted with his own works.
Artists, teams, assemblers, curators, enthusiasts, partners, supporters and the general public: a single edition of the Bienal is made by many. Know the processes of the institution that produces the Bienal in the words of its chief executive officer, Luciana Guimarães.
The 33rd Bienal proposes exercises that invite people to be more attentive to the experience with art, within and outside the Bienal Pavilion.
The 33rd Bienal de São Paulo aims to raise awareness about our attention.
The general curator of the 33rd Bienal comments on the choice of seven artists to organise collective exhibitions within the edition.
Gabriel Pérez-Barreiro comments the first concepts of the 33rd Bienal de São Paulo – Affective affinities.
The general curator of the 33rd Bienal comments on ways to rethink a Biennial structure.
