Tal Isaac Hadad has developed a new chapter of his performance Récital pour un masseur. During the 33rd Bienal, singers and masseurs—live, in the exhibition space—will be conceiving a new genre of recital. Following a principle defined by the artist, a masseur applies gestures to the body of a singer (the soloist), who emits sounds that solicit the voices of the other singers (the choir). The variable geometry of the group gathers masseurs with different specialties (Rolfing, Marma, and Oriental) together with both professional and non-professional singers, from classical and popular backgrounds, carefully chosen by the artist onsite. At once personal and collective, interior and exterior, this new sensorial experience extends our capacity for listening by redefining the relationship between the body and the voice through our relationship to others and to ourselves.